Leave by Raluca Deca
When plotting stories, one needs to find a point to begin, then, one must entwine the threads which will lead onto the following scenes and actions. Perhaps there will be characters. Perhaps they will have names. One thing is certain: it will not take place in a void.
In order to prepare my students for their digital story task, I too needed to plot and reflect on the journey. This post is an attempt to describe the steps which will lead to a multi-media story written and produced by my learners.
Opening the Door
In language classes, learners are accustomed to the traditional approach of teachers asking them questions and then moving on to the next task. Whether brainstorming in a group or a reading or listening activity, it is always the teacher who has the power to ask questions. My first step was to reverse this role.
The currant topic discussed in lessons has been on education. Having worked through the various types of learners and each of my students understanding better what their main learning style/preference was, it came to light that the majority of students had a preference for visual learning. Consequently, in the next lesson I divided the class in half. One half of the class had to prepare questions on the image they were about to see, while the other half of the class were to prepare answers about the image.
My choice of image was not random – my students are 19 years old, mostly single and many watch romantic movies. They also live in a mountainous region, where tales of genies are shared and believed.
Magic is not remote. Magic and metaphors live round the bend of the mountain.
Some may think that giving answers is the key to power in the classroom, however it is the one who asks, the one who questions, who has the power. This power is also quite perverse and relative – both the teacher and students know who has the answer. By giving this power to the students, I as a teacher did not abdicate; I shifted the traditional power balance. Students had to study the image and formulate their own questions. The other students had to predict what kind of questions could be asked, what kind of responses they could give about the image. The only framework I gave them was that they had to observe the image and read the story in the image, thus giving students a broad scope for whatever story they read from it.
This first stage involved only a projected image and oral work. Students were highly engaged and with the slight element of competition (i.e. which group would have the better questions or answers?), listening attentively to each other. My role was different. I stood in the shadows, listening, observing, making no intervention until the end, when I congratulated them on their work – for while they were asking and answering, they would sometimes even correct themselves (e.g. a verb tense or SVA), something that they wouldn’t do so eagerly in other circumstances.
Knowledge, Culture and Roles
Stenhouse (1991) claims that the school is basically a distributor of knowledge rather than a manufacturer (1991:10). This raises two issues – firstly that the knowledge found in schools is moulded in the activities of maintaining that knowledge rather than generating new forms of knowledge. Secondly, as Stenhouse also points out, disciplines of knowledge “have a social existence” and:
are located in groups of scholars, typically in our society working in universities, extending their disciplines by research and teaching them to students.
Knowledge – or what is accepted as useful knowledge by a certain community – is thus maintained in educational institutions. We may perceive by this that this maintenance of knowledge is a powerful form of social control, and in effect, a maintenance of reality.
What if that maintenance of knowledge is reversed? What if the classroom culture is altered?
It is my belief that knowledge and culture cannot be regarded as a fixed, immobile reality. It is dynamic in the sense that it is a phenomenon which is alive and changing. But although change occurs, that does not imply that a culture is altered: any culture will hold elements of changing factors which will in turn be perceived as recurring patterns to the members of the group, thus keeping the group together. There is a common understanding, whether in language classrooms or others. There may be reversals and moments with altering realities (e.g. who is asking the question) but members of that particular culture share an understanding that it is momentary. And if not, if there indeed is a deeper change, what are the consequences?
In education, there is an inferred recognition of the classroom culture by both teachers and learners. This understanding is accomplished by the acknowledgement of roles: roles are the means of cultural recognition in a classroom. Yet roles are neither static nor permanent. Each member of the classroom will play out different roles throughout a lesson. The recurrent roles will become the pattern of cultural recognition. The issue which now follows is – what is in a role?
Sarbin tells us that:
A role is patterned sequence of learned action or deeds performed by a person in an interaction situation. The organizing of the individual action is a product of the perceptual and cognitive behaviour of person A upon observing person B.
(Sarbin, in Cicourel 1972:25)
Cortis (1977) claims that:
The role of teacher and pupil are accorded different statuses both by tradition and by the age and developmental differences between the two parties.
In contrast, Gremmo, Holec and Rilec perceive a role as ” more dynamic and consequently more fleeting than status. It operates over a narrower set of relations and is dependent on norms set and accepted by the participants themselves.” (Gremmo, Holec,Rilec 1985:37)
How then, are roles established in the classroom society? Breen states that the culture of the classroom “insists upon asymmetrical relationships”:
The rights and duties of the teacher and taught are different. More significantly both teacher and taught may be equally reluctant to upset the asymmetry of roles and identities to which these duties and rights are assigned. (Breen 1986:146)
Postman and Weingartner have discerned how when the teacher assumes new functions and exhibits different behaviours, so do his students. It is the nature of their transactions. (Postman & Weingartner 1975:47)
They also explain that:
Ecology has to do with the relationships of all the elements of an environment and how these relationships lead to balance and survival (…) In the learning environment there are at least four critical elements: the learner, the teacher, the ‘to-be-learned’ and the strategies for learning.
(Postman & Weingartner 1975:58)
Culture and the roles within culture are not static identities. They are alive, dynamic and as such, subject to alteration. In the classroom, we find a scenario where these elements are constantly altering – both throughout a lesson. Breen comments:
Learners give a teacher the right to adopt a role and identity of teacher. And a teacher has to earn particular rights and duties in the eyes of the learning group. (…) each new class-room group reinvents the rules of the game in ways which both reflect and form the classroom-culture assumption (…)
Roles imply games and games imply power. Just like the playing pieces of the chess game, teachers and students too have pre-determined roles to fulfill. These roles will be shaped by an implicit or explicit power relationship. This power relationship between teachers and students is one in which power struggle, which will reflect in discourse practices. By giving the students the power of questioning, I intentionally reversed roles.
Esland (1981) remarks that “Pedagogy also contains a manipulative dimension in that it suggests strategies for minimizing the resistance between the teacher’s world view and that of the pupil.” (Esland 1981:84)
And so the scene was set for minimizing resistance. Minimizing conceptions of authority, roles and expectations. My intention is for my students to create a digital story. A learner centred task, in small groups, in different stages. My role is to provide a framework for them to achieve their task.
In a flatter world, an inter-connected world where learners may become the producers of their knowledge, classroom roles will be different. I may hold the knowledge to syntax and other features of language; I may also hold the knowledge of ICT tools for a fleeing moment until my students master them faster and even better than I do.
Perceptions of knowledge, culture and roles are undergoing shifts of perception. Shifts in understanding. Knowing is never static.
Breen,M.P. –1986, “The Social Context for Language Learning – a Neglected Situation?”. In SSLA 7, pg. 135 -158
Circourel, A.V. – 1972, ‘Basic and Normative rules in the Negotiation 3.Status and Role”, in Recent Sociology no2, ed. Dreitzel H.P., Collier Macmillan
Cortis, G. – 1977, The Social Context of teaching, Open Books
Esland, G. – 1981, “Teaching and Learning as the organization of knowledge’, in Knowledge and control, ed. Young M.F., Collier Macmillan
Gremmo, M-J.,H.Holec, P.Riley, – 1985, Interactional Structure; the Role of Role”, in Discourse and Learning, ed. Riley, P., Longman
Postman, N. & C Weingartner – 1975, Teaching as a Subversive Activity, Penguin Education.
Stenhouse, L. – 1991, An Introduction to Curriculum Research and Development, Heineman
Digital Storytelling Collection
Global Digital Citizen – The Role of the Teacher